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Jail Tamil Movie Download
Jail Tamil Movie Download

What is life without a livelihood? This is the central theme of Vasantabalan Prison, in which GV Prakash Kumar is involved. Set in 2015, the film focuses on a resettlement colony modeled after Kannagi Nagar on the outskirts of Chennai.

The social structure here is huge – there is a loss of livelihood, gentrification, increased violence and crime, and the general stigma that comes from being connected to the area. The prison tries to document and study this socio-political landscape through the lives of three young people – Karuna (GV Prakash), Rocky (Nandhan) and Kalay (Pasanga Pandi).

The premise has great potential to touch drama. And director Vasantabalan is no stranger to documenting shocking realities. (Do you remember Angaadi Theru?) That’s why the prison surface looks so disappointing. It feels like a film made from collective memory.

Despite its well-established landscape, the prison’s history follows many famous paths – a corrupt police officer, two feuding drug gangs, an innocent scholar turned security guard by accident, death. Even dialogue brings so much brilliance – there is so much repetition of information. There’s not much real conversation between “ex” and “oh” to fill this outline.

Jail is a well-meaning film, but its treatment seems very out of date. It starts with a voice that starts with “Vanakkam makkaley” (hello people) and ends with “Vaanga indha makkal oda konjam naal vaazhnthu paakalam” (Let’s live these people’s lives for a few days.) Prison underestimates its own power. Viewers.

The smallest information is explained explicitly – much is “told” and not much is “shown”. Apart from the annoying noises, we have some unnecessary songs. The film is said to have taken place in 2015, but one wonders if it was actually shot in 2015.

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Full Name: jail tamil movie 2021
Released Year : 2021
Size: 400MB || 800MB || 1.7GB || 2.5GB

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There are also small nuances that interest me. During an emotional crisis, Karuna cuts her wrist and tries to die by suicide. A close-up of his wrist shows multiple scars on his wrist – trauma that has accumulated over the years. But we can’t see that side of Karuna at all.

Similarly, Papapama (Radikaa Sarathkumar) is depicted as a woman who irons her worn-out sari, no matter how worn the clothes are. This is a deep insight into the personalities of these characters. But sadly they are never explored and lost under most exposures.

The film chooses a blue and yellow color palette. Almost every frame is a combination of these two contrasting colors; while the first is cold in color, the second is warm in color.

The combination gives the film an interesting tone that is warm but distant. GV Prakash is as convincing as Karuna, the petty thief with a heart of gold. Her appearance is very easy and confident.

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