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Hum Do Hamare Do 2021 Movie Cast & Story

It took a while to orient myself from the heart to Hum Do Hamare Do. Since there are no original scenes attached to it, the drama feels spread out. There’s a quality of wrong and lazy conversation in the moment.

when hero Dhruv (Rajkumar Rao) and heroine Anya (Kriti Sanon) meet for the first time, close your eyes, talk first, kiss first. Do they fall in love or do they wander through the same feelings?

Even if we glimpse into the orphaned childhood of the hero, his guardian Purushottam Mishra (Paresh Rawal), and the audience’s story with ex-lover Dipti Kashiap (Ratna Patak Shah) in one scene, nothing is recorded but dramatic.

They hoped the film was self-explanatory, but wondered if the setting was supposed to be so depressing. For a film happily nearing its original ending, the fundamentals are very weak.

The weakness of conflict is less of a problem than an inconvenience. Nothing feels at stake.

That way, doing acrobatics with your eyes wide open feels redundant. Dramatic background music feels inappropriate. At one point Dhruv was driving through Chandigarh to hurry home and I really don’t understand why.

But can a weak foundation hold up a strong film? Hum Do Hamare Do is as close as possible to the affirmative answer. That the second act, if there is such a concept, can bring enough wit and humor to obscure the guilt that led to it, is obscured in the shadows of the famous marriage and confrontation before the climax, which, though misunderstood. providing the moment with the necessary emotional strength and articulation. They’re happy that they’re happy – the message gets there, doesn’t it?

However, the film’s central arrogance is weak. Anya (not Anya, Anya) and Dhruv fall in love with stereotypical shrug of non-sexual love songs, laugh with hands over mouth, head tilted to laugh less, Rajkumar Rao’s dimples make for a great time. He loves family, he comes from nowhere.

He was sure that if he found out about his orphanage and thus started a fictional family, he would not marry. His guardian, Purushottam Mishra, became his father. Purushottam was sure to take on the role after his mistress from another time, Dipty, felt attracted to play his wife and thus Dhruv’s mother.

Thus parallel tracks enter the film. The eponymous Hamare Do is not children – as the ideal Indian family pictured, 2 children, 2 parents – but these two adults who also wander around awkwardly with their feelings.

Old Generation Love is a stormy subgenre that bursts into the spotlight with Badhai Ho, the best of which is Golmaal 3, which Ratna Pathak Shah also owns. This film tends to be absurd but maintains the innocence of love that has returned over time.

Here, apart from the cheerful sketch in which they pretend to perform Bharatanatyam, talk of their love is not considered. There’s prehistory here too, but even without it, the story would feel motionless. Most of what is written feels like a loose Zenga block, without which the structure would have survived.

Hum Do Hamare Do Movie Download
Full name: Bhajarangi 2 Kannada Movie
Release Year: 2021
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The character details are understandably lazy. We don’t want to see people, we want to see lovers. And lovers just love, with work problems on the hazy edge of their conscience. Anya is a blogger. He took Polaroid. Dhruv does VR. He lives in his own world.

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He also teaches children to draw houses on the street (that’s ironic, isn’t it?), a philanthropist with a heart of gold like him. Sometimes I ask myself whether the need to portray women as workers and thus take on the odd role of a chocolate maker (Sanon in Raabta) or a bespectacled aesthetic psychiatrist (Jacqueline Fernandez in Kick) is progress or slowly sinking in the quicksand of patriarchy. After all, he is a blogger.

I wish it wasn’t like Rajkumar Rao just smiling and stuttering to come across as charming, but here we are. That was all he did, but it seemed that was all he had to do. Her charm overflows. It’s the same with the confident beauty of Sanon.

The thing was, each of them felt like they were thinking to themselves while filming a scene. Arrogance is so easy to notice. As individuals they were amazing, but together they had a powerful spark from the last game stuck to the peeled red fluorescent strip.

Where is the erotic longing? Plus, both actors don’t bring expertise to this film that we haven’t seen before. Not a bad thing, but in terms of artistic development, it’s not the best news. The same goes for movies in terms of the yellowing rum-com genre. Not bad, but it’s not the best news.

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